"Lou Harrison's "Double Concerto for Gamelan, Violin and Cello
Juxtaposition of Individual and Cultural Expectations
Bibliographic Data
| ID | 3793495 |
|---|---|
| Authors | Dwight W Thomas (corresponding author) |
| Year | 1983 |
| Volume | 15 |
| Issue | 1 |
| Pages | 90 |
| Publication date | 1983-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Music (JOURNAL) |
| Journal identifiers | ISSN: 0044-9202 • E-ISSN: 1553-5630 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/833917 |
| OpenAlex | W2328178743 |
| Language | EN |
| Citations received | 3 |
Saturday's performance Lou Harrison's Double Concerto for gamelan, violin, and cello was a unique event in a variety of ways. It was a peculiar juxtaposition of various expectations, social roles, and musical elements. Harrison, though denying that his music makes a statement, emphasized to University of Michigan students that acculturation was one of his primary musical interests. This essay explores some of the issues raised by his unique musical synthesis
Art · Art history · Cello · Concerto · Literature · Piano · Violin · Violin concerto · Visual arts · Music Education and Analysis · Music History and Culture · Theater, Performance, and Music History
| Citations per year | 0.1 |
|---|---|
| Citation span | 1995 - 2009 (15) |
| Highly cited | No |