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The enduring afterlife of Before Tomorrow

Inuit survivance and the spectral cinema of Arnait Video Productions

Bibliographic Data

ID3801013
AuthorsDianne Chisholm (University of Alberta, corresponding author)
Year2017
Volume40
Issue1
Pages211-227
Publication date2017-06-14
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueÉtudes/Inuit/Studies (JOURNAL)
Journal identifiersISSN: 0701-1008 • E-ISSN: 1708-5268
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1040152ar
OpenAlexW2724087487
LanguageEN
Citations received2
References cited6

This essay investigates how the filmmakers of Igloolik-based women's collective Arnait Video Productions invent and combine various techniques and strategies of spectrality and survivance to create a powerful, cinematic form of Inuit cultural resistance and resilience. I borrow the concept of "survivance" from Anishnaabe literary theorist Gerald Vizenor who uses it to explain how Aboriginal literary and linguistic traditions continue to flourish in contemporary media despite and in response to colonialism's systemic suppression of oral traditions. With this concept I analyze the way Arnait's films re-enact and revive Inuit culture and oral tradition in the abiding voice and spirit of the dead whose creative art of living resists extinction. Arnait has to date produced three feature films: two fictional filmsBefore Tomorrow(2009) andUvanga(2013), and a documentarySol(2014). I demonstrate that all three films exhibit this uncanny mix of spectrality and survivance with focus on Arnait's debut film as a case study

Aesthetics · Afterlife · Art · Art history · Colonialism · Film genre · Literature · Movie theater · Popular culture · Resistance (ecology · Sociology · Uncanny · Cultural Heritage Management and Preservation · Digital and Traditional Archives Management · History · Indigenous Health, Education, and Rights

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Unique citing works2
Citations per year0,5
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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