Representing indigenous cultures

Alaska Native contemporary art exhibits in Anchorage

Bibliographic Data

ID3801202
AuthorsDawn Biddison (Arctic Studies Center,Smithsonian Institution,121 W. 7th Ave,Anchorage,AK 99501, USA., corresponding author)
Year2006
Volume28
Issue1
Pages37-56
Publication date2006-03-24
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueÉtudes/Inuit/Studies (JOURNAL)
Journal identifiersISSN: 0701-1008 • E-ISSN: 1708-5268
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/012638ar
OpenAlexW2109799839
LanguageEN
References cited13

In this article, I evaluate how Alaska Native contemporary art is presented to the public by examining artists' perspectives, artwork exhibits and viewer reception of the art. My goal is to substantiate the need to critically address how Alaska Native cultures are represented at museum and public art venues in Anchorage, Alaska. In particular, I seek to emphasize the importance of creating contextualized presentations of Alaska Native art using multiple perspectives and interpretative media based on collaboration between exhibitors and Native artists and communities. More inclusive informative presentations can begin to address the differing requirements of a variety of audiences, utilize the critical attention given to Native American and Euro-American art elsewhere, and provoke a re-thinking of stereotyped preconceptions that continue to diminish the accomplishments of Alaska Native artists and limit perceptions of Alaska Native cultures

Aesthetics · Art · Art history · Contemporary art · Indigenous · Media studies · Native american · Perception · Performance art · Public art · Sociology · Variety (cybernetics · Visual arts · Anthropology · Computer Science · Cultural Heritage Management and Preservation · Geographies of human-animal interactions · History · Museums and Cultural Heritage · Psychology · Ecology

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