Lovers, Filmmakers, and Nazis
Fritz Lang's Last Two Movies as Autobiography
Bibliographic Data
| ID | 3805100 |
|---|---|
| Authors | Michael Tratner (corresponding author) |
| Year | 2006 |
| Volume | 29 |
| Issue | 1 |
| Pages | 86-100 |
| Publication date | 2006-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2006.0029 |
| OpenAlex | W1999354473 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
Fritz Lang's last two movies are autobiographies of a peculiar kind. He remakes two early films, transforming them into allegorical representations of the intense romantic and political triangle which shaped his early career-the triangle connecting the director Lang, the screenwriter Thea Von Harbou (who was also his wife), and the Nazi Party
Art · Art history · Biography · Literature · Nazism · Political science · Politics · Romance · Theology · Wife · Cinema and Media Studies · European history and politics · Italian Fascism and Post-war Society · Law · Philosophy
| Citations per year | 0.5 |
|---|---|
| Citation span | 2022 - 2023 (2) |
| Highly cited | No |