Zoegraphy
Per/forming Posthuman Lives
Bibliographic Data
| ID | 3805659 |
|---|---|
| Authors | Louis Van Den Hengel |
| Year | 2012 |
| Volume | 35 |
| Issue | 1 |
| Pages | 1-20 |
| Publication date | 2012-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2012.0003 |
| OpenAlex | W2126685330 |
| Language | EN |
| Citations received | 11 |
| References cited | 7 |
Drawing on various theories of life from the perspective of philosophical posthumanism, feminist new materialism, and the work of Gilles Deleuze, this article examines the capacity of contemporary art to extend life writing beyond the figure of the human. Through a theoretical and autobiographical engagement with aesthetic practices that turn "life itself" into a work of art, the essay develops zoegraphy as a radically post-anthropocentric approach to life narrative
Aesthetics · Art · Posthuman · Sociology · Geographies of human-animal interactions · Posthumanist Ethics and Activism · Utopian, Dystopian, and Speculative Fiction · History
Something Else Is Going On, an Interaction, an Exchange
Autonaturografie. Biopoetyki immersyjnego piśmiennictwa przyrodniczego (Zajączkowska, Brach-Czaina, Tsing, Macdonald)
Rurbanalia. O dwóch typach tekstowych biodróży miejskich
Tracing ecophobia through bios/zoё dichotomy in Margaret Atwood’s Surfacing
Here for 450 Million Years, Going Now
Co‐Creatively Producing Knowledge With Other‐Than‐Human Organisms in a (Bio)Technology‐Controlled Artistic Environment
The Ceramic Zoo
Composite Lives
An experiment with affirmative and affective curricular improvisation through an arts project
Ozeki's Mirror Rooms
Co-Designing Multispecies Speculations Through Biofuturing
| Citations per year | 1.1 |
|---|---|
| Citation span | 2016 - 2025 (10) |
| Highly cited | No |