Relational Maneuvers in Autobiographical Video Art
Bibliographic Data
| ID | 3806894 |
|---|---|
| Authors | Matthew Ryan Smith (0000-0002-8889-3477), Matt Smith (0000-0002-8898-1119, corresponding author) |
| Year | 2014 |
| Volume | 37 |
| Issue | 4 |
| Pages | 953-973 |
| Publication date | 2014-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2014.0066 |
| OpenAlex | W4241113091 |
| Language | EN |
This paper argues that autobiographical video art radically transforms intersubjective relationships with viewers, and in doing so deconstructs critical spectatorship by positioning the viewer as an interlocutor. Here I draw attention to the work of visual artists Lisa Steele, Colin Campbell, Peter Kingstone, and Irene Loughlin, who help to reconceptualize the interlocutor subject position by using unorthodox transmedial aesthetic strategies
Aesthetics · Art · Visual arts · World Wide Web · Artistic and Creative Research · Cinema and Media Studies · Computer Science · Psychology · Visual Culture and Art Theory
| Citation velocity | historical |
|---|---|
| Highly cited | No |