No Soy un Activista, Soy un Artista
Representations of the Feminicide at the Intersections of Art and Activism
Bibliographic Data
| ID | 3816648 |
|---|---|
| Authors | Jennifer Cooper (0000-0001-9364-7353, Royal Holloway University of London UK, corresponding author) |
| Year | 2022 |
| Volume | 41 |
| Issue | 3 |
| Pages | 344-358 |
| Publication date | 2022-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Bulletin of Latin American Research (JOURNAL) |
| Journal identifiers | ISSN: 0261-3050 • E-ISSN: 1470-9856 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/blar.13242 |
| OpenAlex | W3172970693 |
| Language | ES |
| Citations received | 2 |
| References cited | 16 |
Raising questions of the disposability of victims of feminicide in Ciudad Juárez, Mexico, Teresa Margolles' installationLote Bravo(2005) is compared with the grassroots activist group Voces Sin Eco's Cross Campaign and Humberto Macías Martínez's Muralist Movement. These responses to thefeminicidioare considered as interrogating and negating the ideas and ideals of art-activism. Exploring the problematics ofLote Bravo, a new reading of the installation as an 'artivist' work is offered, identifying a certain potential beyond Mexico
Art · Grassroots · Political science · Politics · Reading (process · Sociology · Latin American and Latino Studies · Latin American Literature Studies · Law · Public Spaces through Art
Suffering and Salvation in Ciudad Jurez
The Decline and Fall of the Lettered City
Cultural Representations of Feminicidio at the US-Mexico Border
Terrorizing Women
En piel ajena
Conversation Pieces
Necropolitics, Narcopolitics, and Femicide
Does it Work
The viscosity of grief
We Want Them Alive
The Dialectics of Still Life
| Citations per year | 2 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |