Théâtre et intermédialité
Bibliographic Data
| ID | 3851552 |
|---|---|
| Authors | Marie-Christine Lesage (corresponding author) |
| Year | 2008 |
| Volume | 83 |
| Issue | 1 |
| Pages | 141-155 |
| Publication date | 2008-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Communications (JOURNAL) |
| Journal identifiers | ISSN: 0588-8018 • E-ISSN: 2102-5924 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/comm.2008.2483 |
| OpenAlex | W1973616338 |
| Language | FR |
This essay investigates three different uses of visual technology (integration, differential and simulation) in three North-American productions: the solo Elseneur (1997) by Robert Lepage, Hamlet (2006) by The Wooster Group and Les Aveugles (2002) by Denis Marleau. It demonstrates how, in these cases, the use of visual technology stimulates the spectator's imagination, moving its perception and reinventing theatrical dynamism
Art · Dynamism · Epistemology · Humanities · Literature · Perception · Visual arts · Historical and Literary Analyses · Historical and Literary Studies · Philosophy · Psychology
| Highly cited | No |
|---|