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The Poetics of Sisterly Celebrity

Sarah Hale, British Women Poets and the Gift of Transatlantic Fame

Bibliographic Data

ID3852088
AuthorsPáraic Finnerty (0000-0002-9639-5515, University of Portsmouth, corresponding author)
Year2016
Volume14
Issue1
Pages21-33
Publication date2016-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative American Studies An International Journal (JOURNAL)
Journal identifiersISSN: 1477-5700 • E-ISSN: 1741-2676
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14775700.2016.1213014
OpenAlexW2500483358
LanguageEN
References cited17

This essay explores the celebrity of British women poets in early nineteenth-century America, when print culture on both sides of the Atlantic encouraged and catered to the desire of readers for ever-closer relationships with poets by commercially circulating and disseminating their poems, biographical information and visual representations. It focuses on Sarah Josepha Hale's participation and intervention in these cultural mechanisms by examining her gift book The Ladies' Wreath: A Selection from the Female Poetic Writers of England and America (1837) and, in particular, its expanded second edition (1839). Reinforcing, while also complicating, celebrations of women poets in this period as figures associated with gentility, domesticity, sentiment and ideals of femininity, Hale draws on the discourse of fame and celebrity to underline women poets' achievements and professionalization and the diversity, variety and intellectuality of their poems, and to position British and American women poets and readers within a transatlantic poetic sisterhood

Art · Celebrity culture · Diversity (politics · Femininity · Literature · Poetics · Poetry · Popular culture · Print culture · Professionalization · Social science · Sociology · Variety (cybernetics · Anthropology · Gender Studies · History · Irish and British Studies · Poetry Analysis and Criticism · Social and Cultural Dynamics

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Citation velocityhistorical
Highly citedNo

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