Nothing that is earthly
Ideology, performance and colonial difference
Bibliographic Data
| ID | 3852216 |
|---|---|
| Authors | Susan Castillo (University of Glasgow, corresponding author) |
| Year | 2005 |
| Volume | 3 |
| Issue | 4 |
| Pages | 437-454 |
| Publication date | 2005-11-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Comparative American Studies An International Journal (JOURNAL) |
| Journal identifiers | ISSN: 1477-5700 • E-ISSN: 1741-2676 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1177/1477570005058960 |
| OpenAlex | W2074215234 |
| Language | EN |
| References cited | 8 |
Recent scholarship on the early Americas has posited performance as the site where colonial difference is enacted. This article examines the ways in which performance was used to disseminate (and conversely, to subvert) Christian ideology in New Spain, in dialogic texts such as Sahagún's Colloquios and in missionary plays by Father Andrés de Olmos and others
Archaeology · Colonialism · Dialogic · Epistemology · Ideology · Nothing · Political science · Scholarship · Sociology · History · Latin American history and culture · Law · Philosophy
| Highly cited | No |
|---|