Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Michelle Obama's Arms

Race, Respectability, and Class Privilege

Datos Bibliográficos

ID3852437
AutoresShirley Anne Tate (0000-0003-3060-9880, University of Leeds, autor de correspondencia), Shirley Tate
Año2012
Volumen10
Número2-3
Páginas226-238
Fecha de publicación2012-08-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaComparative American Studies An International Journal (JOURNAL)
Identificadores de la revistaISSN: 1477-5700 • E-ISSN: 1741-2676
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1179/1477570012z.00000000017
OpenAlexW1975222127
IdiomaEN
Citas recibidas27
Referencias citadas16

The debate on Michelle Obama’s ‘right to bare arms’ illustrates that American cultural politics is far from ‘post-racial’. Through reading ‘Michelle O’ as a body out of place, at once exoticized, fetishized, and affective, this article shows the continuing location of the First Lady as white as well as exploring how stylization revisions the raced, gendered, and classed space of the First Lady’s body. It argues that, as a corporeal negation of the norms of both white upper/middle-class respectability and ‘the Black Venus’, Obama creates a space of resistance that enables a black First Lady to emerge through performativity

Art · Negation · Performativity · Political science · Politics · Sociology · White privilege · Gender Roles and Identity Studies · Gender Studies · Gender, Feminism, and Media · Law · Philosophy · Social and Cultural Dynamics

  • Style Politics and Self-Fashioning in Mamie Garvin Fields's Lemon Swamp and Other Places

    Erica L Ball•Women's studies quarterly•2018

  • Juana Ramírez, Eighteenth-Century Oaxaca, New Spain (Mexico)

    Open Access•Sabrina Smith•As If She Were Free•2020

  • Maria Firmina dos Reis, Nineteenth-Century Maranhão (Brazil)

    Open Access•Maria Helena P T Machado•As If She Were Free•2020

  • Carrie Williams Clifford, Nineteenth- and Early Twentieth-Century Ohio (US)

    Open Access•Cathleen D Cahill•As If She Were Free•2020

  • Elizabeth Key, Seventeenth-Century Virginia (US)

    Open Access•Taunya Lovell Banks•As If She Were Free•2020

  • Emma Lane Coger, Nineteenth-Century Illinois, Iowa, and Missouri (US)

    Open Access•Sharon E Wood•As If She Were Free•2020

  • Minerva, Nineteenth-Century Téjas and Louisiana (US), and Mexico

    Open Access•Alice L Baumgartner•As If She Were Free•2020

  • Gabriela, Nineteenth-Century Rio Grande do Sul (Brazil)

    Open Access•Mariana Dias Paes•As If She Were Free•2020

  • Cécile Fatiman and Petra Carabalí, Late Eighteenth-Century Haiti and Mid-Nineteenth-Century Cuba

    Open Access•Aisha K Finch•As If She Were Free•2020

  • Paula de Eguiluz, Seventeenth-Century Puerto Rico, Cuba, and New Granada (Colombia)

    Open Access•Nicole Von Germeten•As If She Were Free•2020

  • María Hipólita Lozano, Eighteenth-Century Lima (Peru)

    Open Access•Tamara J Walker•As If She Were Free•2020

  • Juana María Álvarez, Eighteenth-Century New Granada (Colombia)

    Open Access•Ana María Díaz Burgos•As If She Were Free•2020

  • Anna Maria Lopes de Brito, Eighteenth-Century Minas Gerais (Brazil)

    Open Access•M Dantas, Mariana L R Dantas•As If She Were Free•2020

  • Margarita de Sossa, Sixteenth-Century Puebla de los Ángeles, New Spain (Mexico)

    Open Access•Chloe L Ireton•As If She Were Free•2020

  • Marion, Eighteenth-Century Natchitoches, Louisiana (US)

    Open Access•Sophie White•As If She Were Free•2020

  • Judith and Hannah

    Open Access•Honor Sachs•As If She Were Free•2020

  • María Remedios del Valle, Nineteenth-Century Argentina

    Open Access•Florencia Guzmán, E D Edwards•As If She Were Free•2020

  • Sarah Chauqum, Eighteenth-Century Rhode Island and Connecticut (US)

    Open Access•Margaret Ellen Newell•As If She Were Free•2020

  • Hannah Manena McKenney, Late Seventeenth- and Early Eighteenth-Century Bermuda and New Providence (Bahamas)

    Open Access•Heather Miyano Kopelson•As If She Were Free•2020

  • Reytory Angola, Seventeenth-Century Manhattan (US)

    Open Access•Susanah Shaw Romney•As If She Were Free•2020

  • As If She Were Free

    Open Access•Tatiana ca /21 Jh Seijas, Erica L Ball et al.•As If She Were Free•2020

  • Laura E. Davis Titus, Nineteenth-Century Norfolk, Virginia (US)

    Open Access•Cassandra L Newby-Alexander, Cassandra Newby‐alexander•As If She Were Free•2020

  • MeToo, popular feminism and the news

    Open Access•Sara De Benedictis, Shani Orgad et al.•European Journal of Cultural…•2019

  • A Badge of Honor not Shame

    Dache, Dache Dache et al.•The Journal of Negro Education•2019

  • Blackness in dual language bilingual education research

    Dorsa I Fahami•Bilingual Research Journal•2024

  • The Cult of First Ladyhood

    Open Access•Megan Handau, E M Simien•Politics & Gender•2019

  • Broadening research in gender and music practice

    Open Access•A Werner, Tami Gadir et al.•Popular Music•2020

  • Erotic Revolutionaries

    Shayne Lee•Erotic Revolutionaries•2010

  • Black Skin, White Masks

    Frantz Fanon•Social Theory Re-Wired•2023

  • Uses of the Exotic

    Open Access•Ali, Suki Ali•Making Race Matter•2005

  • The Colonial Unconscious

    Elizabeth Ezra•Colonial Unconscious•2000

  • Black Feminist Thought

    Patricia Hill Collins•Black Feminist Thought•2013

  • The Racial Contract

    C W Mills•The Racial Contract•2019

  • Recasting ‘Black Venus’ in the new African Diaspora

    Open Access•Jayne O Ifekwunigwe•Women s Studies International Forum•2004

  • Sable venus’, ‘she devil’ or ‘drudge’? British slavery and the ‘fabulous fiction’ of black women's identities, c . 1650–1838

    Barbara Bush•Women s History Review•2000

  • Nagô Grandma and White Papa

    Beatriz Gois Dantas, Stig Berg et al.•Nagô Grandma and White Papa:…•2009

  • Mama's Baby, Papa's Maybe

    Hortense J Spillers•diacritics•1987

  • Sexing the Caribbean

    Kamala Kempadoo•Sexing the Caribbean•2004

Obras citantes distintas27
Citas por año3,38
Intervalo de citas2018 - 2024 (7)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 26
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae