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Shark Tales

Hawaiian Epistemologies and Indigenous Resistance in Kiana Davenport's Shark Dialogues and Kawai Strong Washburn's Sharks in the Time of Saviors

Bibliographic Data

ID3852443
AuthorsKirsten Møllegaard (0000-0003-1529-0971, English Department, University of Hawaiʻi at Hilo, Hilo, USA, corresponding author)
Year2024
Volume21
Issue1-2
Pages25-39
Publication date2024-04-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative American Studies An International Journal (JOURNAL)
Journal identifiersISSN: 1477-5700 • E-ISSN: 1741-2676
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14775700.2023.2291936
OpenAlexW4389895734
LanguageEN
Citations received1
References cited17

The literary trope of the shark has been exploited as a symbol of monstrosity in classic Western literature, from the great sea novels by Herman Melville, Jules Verne, and Ernest Hemingway to Peter Benchley's iconic Jaws. However, the demonisation of sharks in Western literature stands in sharp contrast to the cultural reverence and nuanced literary trope of the shark in Hawaiian narrative traditions such as moʻolelo (myths and legends) and 'ōlelo no'eau (proverbs and poetical sayings). This paper examines the reciprocal associations between sharks and humans in Hawaiian culture in two novels set in contemporary Hawai'i, Kiana Davenport's Shark Dialogues (1994) and Kawai Strong Washburn's Sharks in the Time of Saviors (2020). These novels resist Western cultural hegemony by portraying sharks according to indigenous Hawaiian epistemologies and narrative traditions as ʻaumākua (ancestral guardians) and symbols of deep, oceanic genealogies. The analysis of the shark trope in Washburn's and Davenport's novels draws on the ethnographic studies by Martha Beckwith, Mary Kawena Pukui and Noelani Puniwai; traditional folktales and legends; as well as Oceanic cultural critics Epeli Hau'ofa and Albert Wendt. Considering the alarming 70% decline in sharks since the 1970s and the ensuing collapse of oceanic ecosystems, it is time to rethink the portrayal of sharks as monsters in Western literature and popular culture

Archaeology · Art · Biology · Exoticism · Hegemony · Indigenous · Literature · Mythology · Narrative · Popular culture · Sociology · Zoroastrianism · Anthropology · Asian American and Pacific Histories · History · Marine animal studies overview · Ecology

  • ‘Seascape epistemology’ and native Hawaiian healing

    Open Access•Kristiawan Indriyanto, Rudy Rudy•Studies in Linguistics, Culture,…•2025

  • Night is a Sharkskin Drum

    Haunani‐kay Trask, Haunani-Kay Trask•Night Is a Sharkskin Drum•2017

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    Open Access•Rob Wilson, Rob Wilson-undifferentiated•Reimagining the American Pacific•2000

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    Mary Kawena Pukui, Samuel H Elbert•Hawaiian Dictionary•1986

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    Noelani Puniwai, Puniwai Puniwai•Human Biology•2020

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    Open Access•J L Fischer, Joseph Fischer et al.•Western Folklore•1965

  • Inside Out

    David Welchman Gegeo, Vilsoni Hereniko et al.•Pacific Affairs•2000

  • Ka Po'e Kahiko. The People of Old

    Katharine Luomala, Samuel Manaiakalani Kamakau et al.•Journal of American Folklore•1966

  • Hawaiian Shark Aumakua

    Open Access•Martha Warren Beckwith•American Anthropologist•1917

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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