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Shakuhachi and the American composer

Bibliographic Data

ID3858191
AuthorsRalph Samuelson (corresponding author)
Year1993
Volume8
Issue2
Pages83-93
Publication date1993-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494469400640071
OpenAlexW2037390458
LanguageEN
Citations received2

The traditional solo repertoire for the shakuhachi derives from the 17th and 18th centuries and is based on principles of Zen Buddhist meditation practice. Certain elements of this music — including timbre, breath rhythm, pitch sensitivity, ornamentation, and the basic approach to music making — are of great interest to contemporary composers, both in Japan and other countries. An appreciation of shakuhachi music in the United States has been growing steadily since the 1960s, and a number of American composers have created exciting new works for the instrument. This article briefly outlines the transformation of the shakuhachi from an instrument tied to a particular culture and time period to one which is increasingly part of the contemporary international music world, and presents a list of fifty shakuhachi compositions by twenty-three American composers. KEY WORDS: Shakuhachi Honkyoku Meditation Tone quality Pitch Breath rhythm

Aesthetics · Art · Art history · Buddhism · Classical music · Contemporary classical music · Literature · Meditation · Music education · Music history · Musical · Musical composition · Performance art · Repertoire · Rhythm · Timbre · Visual arts · History · Music · Music History and Culture · Music Technology and Sound Studies · Musicology and Musical Analysis

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Unique citing works2
Citations per year0,07
Citation span1998 - 2015 (18)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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