Popular Music in Nigeria
Language, Context and Milieu
Bibliographic Data
| ID | 3858280 |
|---|---|
| Authors | Paul Ayodele Onanuga (0000-0003-1207-3090), Niyi Akingbe (0000-0003-4637-131X) |
| Year | 2020 |
| Volume | 39 |
| Issue | 1 |
| Pages | 1-5 |
| Publication date | 2020-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494467.2020.1753470 |
| OpenAlex | W3023179296 |
| Language | EN |
| Citations received | 9 |
| References cited | 3 |
Hip hop music on the African continent often constitutes a site for competing anxieties, just as its varied rhythms compellingly appeal to the sensibilities of its diverse audience. Evidently, hip
Aesthetics · Appeal · Archaeology · Art · Political science · Popular music · Rhythm · Sociology · Visual arts · Cultural Identity and Representation · Diverse Musicological Studies · History · Music History and Culture
The effect of political songs on choice of candidate, political ideology, and party loyalty among young Nigerians
Influence of social media on the uptake of emerging musicians and entertainment events
A discursive construction of self in selected songs by Azeez Fashola (aka Naira Marley)
Performing the trenches and (re)branding poverty
Nigerian pidgin in popular music and dialectal choice in social domains
Theorizing “Odogwu Masculinities”
Deviance and youth identity formation in online community a comparison of two online music communities in Nigeria
Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic
Re-imagining Afrobeat(s)
| Unique citing works | 9 |
|---|---|
| Citations per year | 1,8 |
| Citation span | 2021 - 2026 (6) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |