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Due di Uno

A composition dedicated to Horacio Vaggione

Bibliographic Data

ID3858305
AuthorsAgostino Di Scipio (0000-0001-7953-9508, corresponding author)
Year2005
Volume24
Issue4-5
Pages383-397
Publication date2005-10-01
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494460500173822
OpenAlexW1982499029
LanguageEN
Citations received1
References cited10

At risk of appearing disrespectful in the context of a Festschrift, this article focuses on Due di Uno, a composition of the author's own, dedicated to Horacio Vaggione. This composition reflects an attempt at designing and staging a small technological infrastructure whose audible result is the music. It is an effort in algorithmic composition and, at the same time, an attempt at implementing a network of dynamical interactions between two instruments (piccolo recorder and violin) and live electronics (an adaptive array of digital signal processing transformations). It is, too, a work in sound—that is, a music where timbre, textural polyphony and density, and a variety of noise artefacts are perceptual dimensions more important than others. In addressing such issues, the author keeps Vaggione's own work as a silent, but tangible infratextual reference

Art · Art history · Computer music · Electronic music · John Cage · Literature · Musical · Musical composition · Performance art · Polyphony · Timbre · Violin · Visual arts · Architecture and Computational Design · Computer Science · Cybernetics and Technology in Society · History · Music Technology and Sound Studies

  • Analysing Audible Ecosystems and Emergent Sound Structures in Di Scipio's Music

    Renaud Meric, Makis Solomos•Contemporary Music Review•2014

  • Live electronics or…live music? Towards a critique of interaction

    Marco Stroppa•Contemporary Music Review•1999

  • The Synthesis of Environmental Sound Textures by Iterated Nonlinear Functions, and its Ecological Relevance to Perceptual Modeling

    Agostino Di Scipio•Journal of New Music Research•2002

  • Timbre as syntax

    Horacio Vaggione•Contemporary Music Review•1994

  • Synthesis by functional Iterations. A revitalization of nonstandard Synthesis

    Agostino Di Scipio, Ignazio Prignano•Journal of New Music Research•1996

  • Composing in real-time

    Jean-Claude Risset, Jean‐Claude Risset•Contemporary Music Review•1999

Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo

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