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Dissolving Dualities

Onto-epistemological Implications of Ecological Sound Art

Bibliographic Data

ID3858448
AuthorsMatthew Sansom (0000-0003-3322-8127, corresponding author)
Year2015
Volume34
Issue4
Pages267-280
Publication date2015-07-04
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494467.2016.1140473
OpenAlexW2317146505
LanguageEN
Citations received2
References cited22

This paper discusses the arts practice that emerged during the AHRC funded research project ‘Landscape Quartet: Creative Practice and Philosophical Reflexion in Natural Environments’ (2012–2014). The introduction covers the project's eco-critical basis, practical methodologies developed during it (including the roles of experimentation and improvisation), and the particular epistemological value of practice-led research in this context. A broader theoretical discussion then outlines how non-representational theory and Tim Ingold's concept of dwelling help to expand and clarify the argument for participative environmental arts practice. These ideas are then developed through a series of examples and a conceptual approach based on notions of working with, of, and for the environment. It concludes by considering the multifaceted ontological significance of experiences of ecological arts practice, directly, as an in situ performer on the one hand, and with subsequent artefacts, performances and installations removed from the original site, on the other

Art · Epistemology · Geography · Improvisation · Performance art · Performing arts · Sociology · Sound art · The arts · Visual arts · Environmental Philosophy and Ethics · Geographies of human-animal interactions · Philosophy · Posthumanist Ethics and Activism

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Unique citing works2
Citations per year0,4
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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