Concept and Context
A Historiographic Consideration of Lachenmann's Orchestral Works
Bibliographic Data
| ID | 3858928 |
|---|---|
| Authors | Richard Toop (corresponding author) |
| Year | 2004 |
| Volume | 23 |
| Issue | 3-4 |
| Pages | 125-143 |
| Publication date | 2004-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0749446042000293501 |
| OpenAlex | W2021846013 |
| Language | EN |
| Citations received | 1 |
Orchestral music has occupied a central position in Lachenmann's work. Although one can divide these works into distinct periods, there is a consistency of purpose and style that runs through them. Nevertheless, it is argued here that certain consistent features acquire different significances, depending on the general context of European new music at the time. To this end, the works are placed in a broader compositional context than that of Lachenmann's own output
Art · Visual arts · Computer Science · Diverse Musicological Studies · History · Musicology and Musical Analysis · Artificial Intelligence
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |