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The demiurge of sounds and the poeta doctus

François-Bernard Mâche's poetics and music

Bibliographic Data

ID3858935
AuthorsMárta Grabócz (0000-0003-4131-5108, corresponding author)
Year1993
Volume8
Issue1
Pages131-182
Publication date1993-01-01
Open AccessNo
TypeARTICLE
VenueContemporary Music Review (JOURNAL)
Journal identifiersISSN: 0749-4467 • E-ISSN: 1477-2256
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494469300640251
OpenAlexW1580781728
LanguageEN
Citations received2

At the start of his career. F.-B. Mâche faced a severe challenge: he could have chosen equally from the aesthetics of E. Varèse, J. Cage, postserialism, I. Xenakis or the GRM.<. With special affinities to cultural history, he pinpointed with a keen eye the hidden problems of all the former trends against the background of the shortcomings of our civilization: the deficiencies of artistic content provoked by reason, rationalism-intellectualism, logic or excessive freedom, alienation from the natural-environmental context. With his “naturalist poetics” anticipating the 21st century he explored and mapped both artistically and scientifically all the natural, linguistic, mythological models that could revive composition with the elementary force of originality and an ideal mode of construction. The article presents the poetics and the crystallized “archetypical” units of form: their structuring principles, their “mythemes” of expressive content as well as the types of form themselves conforming to traditional musical thought and to a geometric, metaphorical or mythological logic

Aesthetics · Art · Art history · Civilization · Content (measure theory · Context (archaeology · Empiricism · Epistemology · John Cage · Literature · Materialism · Musical · Mythology · Natural (archaeology · Originality · Performance art · Poetics · Sociology · Anthropology · Cultural Insights and Digital Impacts · Historical and Literary Analyses · Historical and Literary Studies · History · Philosophy

  • The electroacoustic harpsichord

    Simon Emmerson•Contemporary Music Review•2001

  • Real-World Sounds and Simulacra in my Computer Music

    Jean-Claude Risset, Jean‐Claude Risset•Contemporary Music Review•1996

Citations per year0.07
Citation span1996 - 2001 (6)
Highly citedNo

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