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Performance without Barriers

Improvising with Inclusive and Accessible Digital Musical Instruments

Dados Bibliográficos

ID3858985
AutoresKoichi Samuels (0000-0002-9216-3178), Franziska Schroeder (0000-0001-9176-5276)
Ano2019
Volume38
Fascículo5
Páginas476-489
Data de publicação2019-09-03
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoContemporary Music Review (JOURNAL)
Identificadores do periódicoISSN: 0749-4467 • E-ISSN: 1477-2256
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494467.2019.1684061
OpenAlexW2982892262
IdiomaEN
Citações recebidas4
Referências citadas8

The ‘Performance without Barriers’ research group (PwB), based at the Sonic Arts Research Centre at Queen’s University Belfast has been exploring the potential of sonic arts practices and music improvisation for enhancing social inclusion. To date, the group has focused primarily on research activities related to the inclusive potential of providing access to music improvisation for people with physical disabilities via the use of digital technologies. In this paper we discuss the critical thinking behind our work which draws together the social and connective functions of music making, the open and relational practice of music improvisation, and technological solutions utilising open, adaptable and accessible digital technologies. Three case studies, taking place between 2015 and 2018, are discussed. In this article we argue that activities in music improvisation have inclusive potential for opening constructive dialogues between performers, their instruments, and people of different backgrounds and abilities. Furthermore, as we have approached our research activities reflexively, we ponder the contradictions, dilemmas and points of learning we have discovered when engaging in inclusive improvisation work between university researchers and musicians with diverse abilities

Aesthetics · Art · Improvisation · Musical · Visual arts · Diverse Music Education Insights · Music Technology and Sound Studies · Musicians’ Health and Performance

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    Open Access•Razvan Paisa, Doga Cavdir et al.•Arts•2023

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    Open Access•Andreas Förster, Norbert Schnell•International Journal of…•2025

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    Open Access•Ellen Waterman, Erin Parkes et al.•International Journal of Music…•2025

  • The Cyborg Hand

    Open Access•Zubin Kanga•Contemporary Music Review•2023

  • Musical ImaginationsMultidisciplinary perspectives on creativity, performance and perception

    David Hargreaves, David J Hargreaves et al.•Musical imaginations•2011

  • The Meanings in Making

    Koichi Samuels•Leonardo Music Journal•2015

  • Extended Play

    John Corbett•Extended Play•1994

  • The Drake Music Project Northern Ireland

    Open Access•Koichi Samuels•Social Inclusion•2019

  • Autobiography and Invention

    Paul Stapleton•Contemporary Music Review•2013

Obras citantes distintas4
Citações por ano1,33
Intervalo de citações2023 - 2025 (3)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 4
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