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Touching at a Distance

Resistance, Tactility, Proxemics and the Development of a Hybrid Virtual/Physical Performance System

Dados Bibliográficos

ID3859095
AutoresSarah Water (0000-0002-7668-1880, Waters (United Kingdom), autor correspondente), Simon Water, Simon Waters
Ano2013
Volume32
Fascículo2-03
Páginas119-134
Data de publicação2013-06-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoContemporary Music Review (JOURNAL)
Identificadores do periódicoISSN: 0749-4467 • E-ISSN: 1477-2256
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07494467.2013.775818
OpenAlexW2024869591
IdiomaEN
Citações recebidas2
Referências citadas9

This is a paper about resistance and affordance as they relate to music-making in the most extended sense, and perhaps about empathy if this is understood as a capacity to ‘read’ the resistances and affordances of objects, bodies, people, and environments. It proceeds from a set of broad working assumptions which inform one individual's musical practice, via description of a musical-instrument-making project which is a hybrid of physical and virtual elements and is designed to test those assumptions, to a speculative finale in which it is suggested that musicking might, in some circumstances, be regarded in itself as a form of resistance. It moves from the intimate and personal, through what might be regarded as local concerns to more global observation, prefiguring the structure of the performance system it describes: the Virtual-Physical Feedback flute

Aesthetics · Affordance · Art · Cognitive psychology · Cognitive science · Empathy · Flute · Human–computer interaction · Musical · Proxemics · Virtual world · Visual arts · Art, Technology, and Culture · Communication · Computer Science · Diverse Music Education Insights · Music Technology and Sound Studies · Psychology · Social Psychology

  • Touching through Music, Touching through Words

    Open Access•Alexandra Huang-Kokina•Performance Research•2022

  • The entanglements which make instruments musical

    Sarah Water•Journal of New Music Research•2021

  • Noise

    Jacques Attali•Noise•1989

  • The Meaning of the Body

    Mark Johnson, Mark H Johnson•The Meaning of the Body•2007

  • Metaphors We Live By

    George Lakoff, Mark Johnson et al.•Metaphors we live by•2003

  • Being There

    Andy Clark•Being There•1996

  • Using auditory information for events in electroacoustic music

    W Luke Windsor•Contemporary Music Review•1994

  • The Hidden Dimension

    Edward T Hall•Leonardo•1973

  • Ways of the Hand

    Open Access•Pete Martins, Pete Martin•Sociology•1979

Obras citantes distintas2
Citações por ano0,4
Intervalo de citações2021 - 2022 (2)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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