Amelia Jones, In Between Subjects
A Critical Genealogy of Queer Performance
Datos Bibliográficos
| ID | 3869489 |
|---|---|
| Autores | Sasha Pevak (CURE International UK, autor de correspondencia) |
| Año | 2021 |
| Fecha de publicación | 2021-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Critique d’art (JOURNAL) |
| Identificadores de la revista | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Editorial | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.76110 |
| OpenAlex | W3171176790 |
| Idioma | NL |
In this remarkable study, Amelia Jones critically examines the genealogy of the concepts of “queer”, “performance”, and “performativity”. The author mobilizes—in a non-hierarchical way—multiple sources, such as art history and pop culture, performance, gender, and postcolonial studies, as well as her individual experiences of queer and queer-related topics, seeking to question and problematize the dominance of Western-centrist and mostly white discourses around these concepts. Chapter 2, “Per
Art · Ethnology · Genealogy · Humanities · Queer · Queer theory · Sociology · Asian Culture and Media Studies · Diversity and Impact of Dance · French Historical and Cultural Studies · Gender Studies · Historical Gender and Feminism Studies · History
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |