Fascism and the Holocaust. Artistic Representations
Bibliographic Data
| ID | 3869787 |
|---|---|
| Authors | Maria Stavrinaki (0009-0002-1596-557X, corresponding author) |
| Translators | Phœbe Hadjimarkos Clarke |
| Year | 2024 |
| Volume | 63 |
| Pages | 59-73 |
| Publication date | 2024-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/12xbl |
| OpenAlex | W4405351613 |
| Language | EN |
The terms fascism, totalitarianism, concentrationary universe and genocide (which was coined in 1944) soon lost their specific, empirical meaning. No longer “substantives”, they began operating as “adjectives” in post-war discourses, especially starting in the 1950s. This qualifying function, unstable by definition, started designating political regimes and practices subsequent to fascism proper, and which were, at first glance, democratic.Fascism shifted from being a phenomenon of the recen
Aesthetics · Art · Art history · Literature · The Holocaust · Theology · Italian Fascism and Post-war Society · Philosophy
| Highly cited | No |
|---|