Bridget Riley
Bibliographic Data
| ID | 3869933 |
|---|---|
| Authors | Arnauld Pierre (corresponding author) |
| Translators | Simon Pleasance |
| Year | 2008 |
| Volume | 32 |
| Issue | 32 |
| Publication date | 2008-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.744 |
| OpenAlex | W4238931859, W4239131107 |
| Language | EN |
Give or take the odd exception, French art circles have hitherto remained somewhat aloof from the rediscovery that Bridget Riley has been enjoying for a good ten years now, making her one of the rare survivors from that last generation of modernist abstraction. Even though she is not a perfect stranger either—far from it—the joint publication of a collection of her writings and interviews, under the title L’Esprit de l’oeil, and the catalogue that accompanied the retrospective at the City of
Art · Art, Politics, and Modernism · Art, Technology, and Culture · Communism, Protests, Social Movements · Computer Science · Contemporary art, education, critique
| Highly cited | No |
|---|