Matters of resistance and acquiescence
Bibliographic Data
| ID | 3870112 |
|---|---|
| Authors | Eric Michaud (corresponding author) |
| Year | 1999 |
| Volume | 14 |
| Issue | 14 |
| Publication date | 1999-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.2411 |
| OpenAlex | W2057468278 |
| Language | EN |
L’Art sans frontières is the misleading title bringing together several essays by Thomas W. Gaehtgens. The first part of this book, a fascinating history of the way Berlin’s museums came into being, is actually completely steered by an analysis of the effects of boundaries and their formidable effectiveness. The second part, focusing on encounters made by German artists with French painting from 1848 onward, also highlights the power of boundaries on the most «border-straddling» of artists. T
Acquiescence · Archaeology · Art · Art history · German · Painting · Political science · Politics · Visual arts · European history and politics · History · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |