From the Cold War to Globalization
Around Picasso, Modernist Utopias and One or Two Postmodern Narratives
Bibliographic Data
| ID | 3870156 |
|---|---|
| Authors | Catherine Fraixe (corresponding author) |
| Year | 2014 |
| Volume | 42 |
| Issue | 42 |
| Publication date | 2014-05-15 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.13476 |
| OpenAlex | W1992888097 |
| Language | EN |
Just when we are welcoming the publication of the anthologyArt et mondialisation : décentrements. Anthologie de textes de 1950 à nos jours, which tries to introduce French readers to the milestones of a train of thought turning its back on the great Western narrative in favour of a globalized approach, three other recent books deserve special attention. Picasso and the Politics of Visual Representation: War and Peace in the Era of the Cold War and Since actually raises a series of issues whi
Aesthetics · Art · Art history · Cold war · Globalization · Literature · Narrative · Painting · PICASSO · Political science · Politics · Postmodernism · Art, Politics, and Modernism · Law
| Citation velocity | historical |
|---|---|
| Highly cited | No |