Music, listening and philosophy
Bibliographic Data
| ID | 3870939 |
|---|---|
| Authors | Marcella Lista (corresponding author) |
| Year | 1999 |
| Volume | 13 |
| Issue | 13 |
| Publication date | 1999-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.2480 |
| OpenAlex | W2027516555 |
| Language | EN |
La Monte Young’s Conférence 1960, which has been published in its most complete form to date in a translation by Marc Dachy, is a valuable document. The context is that of a group work in Ann Halprin’s dance studio in Kentfield (California), in the summer of 1960, a period during which Young carried out his first continuous sound tests, aimed at enabling the listener to “enter into sound”. He was then 25 years old, and was pursuing his training on the West Coast, where he had just discovered
Acoustics · Active listening · Aesthetics · Archaeology · Art · Dance · Studio · Visual arts · Communication · History · Musicology and Musical Analysis · Psychology
| Highly cited | No |
|---|