Animated Images Listed as Art
Bibliographic Data
| ID | 3871078 |
|---|---|
| Authors | Patrick De Haas (0000-0003-3024-0198) |
| Translators | Simon Pleasance |
| Year | 2003 |
| Volume | 21 |
| Publication date | 2003-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.1934 |
| OpenAlex | W2050169852 |
| Language | EN |
The history of the avant-garde, or “experimental”, cinema is not well-known in France. So there is good reason to welcome the translation of the major reference work about its development in the United States, almost three decades after its original publication: Le Cinéma visionnaire : l’avant-garde américaine 1943-2000. P. Adams Sitney was the first to attempt to put forward a typology–which has stayed the course–by formulating various aesthetic parameters shared by the works of different a
Art · Computer vision · Visual arts · Computer Science · French Historical and Cultural Studies · Photography and Visual Culture
| Highly cited | No |
|---|