Big Urban Toys
Mutant Museums
Bibliographic Data
| ID | 3871334 |
|---|---|
| Authors | Rémi Labrusse (corresponding author) |
| Year | 2000 |
| Volume | 16 |
| Issue | 16 |
| Publication date | 2000-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.2295 |
| OpenAlex | W1974984890 |
| Language | EN |
Museums of modern and contemporary art, swaddled as they usually are in marks of public esteem, are not altogether happy with themselves. They are a little apologetic for being what they are—what they are, what they ought to be: they no longer quite know with the same happy conviction. They dream of changes. They strive doggedly to perceive themselves as every manner of anti-museum, and construct themselves as anti-monuments. Beaubourg, January 1977: the museum of modern art announced in a gr
Biology · Business · Gene · Mutant · Museums and Cultural Heritage · Genetics
| Highly cited | No |
|---|