"On the Threshold of "aesthetic Inferno
Bibliographic Data
| ID | 3871410 |
|---|---|
| Authors | Tania Vladova (corresponding author) |
| Year | 2005 |
| Volume | 25 |
| Issue | 25 |
| Publication date | 2005-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.1588 |
| OpenAlex | W2000499710 |
| Language | EN |
Images which overexpose violence are currently in the eye of a stormy quarrel. What is the right distance for looking at, dwelling on, and observing horror? And what happens to aesthetics and beauty when the unimaginable is put on display? What is presented by the clash between authentic testimony and artistic intervention? In 1853, Hegel’s student, Karl Rosenkranz, wrote an Aesthetics of Ugliness. In the preface to the French edition, the idea of theorizing over what the author calls in his
Aesthetics · Art · Beauty · Epistemology · Hegelianism · Philosophy · Political Theology and Sovereignty
| Highly cited | No |
|---|