Who Run the World? South African Female Artists' Relationship to History and Normativity
Bibliographic Data
| ID | 3872301 |
|---|---|
| Authors | Julie Crenn (Institut national d'histoire de l'art, corresponding author) |
| Year | 2016 |
| Volume | 47 |
| Issue | 47 |
| Publication date | 2016-11-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.23201 |
| OpenAlex | W2559407939 |
| Language | EN |
| Citations received | 2 |
It aims to help budding French writers and researchers specialised in contemporary art emerge on the international scene.The goal is not only to make the content of French research more visible but also to encourage the circulation of themes, essays and ideas.This is why the
Art · Circulation (fluid dynamics · Content (measure theory · Sociology · Visual arts · African history and culture studies · Cultural Identity and Heritage · Engineering · French Historical and Cultural Studies · Gender Studies · History
| Citations per year | 0.22 |
|---|---|
| Citation span | 2017 - 2018 (2) |
| Highly cited | No |