Identification, pros and cons
Bibliographic Data
| ID | 3872487 |
|---|---|
| Authors | Sophie Delpeux (0000-0002-8732-1522, corresponding author) |
| Year | 2006 |
| Volume | 28 |
| Issue | 28 |
| Publication date | 2006-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.1003 |
| OpenAlex | W2044035341 |
| Language | EN |
In the introduction to a publication, it is customary to emphasize the novel aspect of the issue(s) it deals with. Lori Pauli, curator of the exhibition La Photographie mise en scène : créer l’illusion du réel, applies herself to this task by winding up her essay “Planter le décor/Sketching the décor” with a regret: “Several historians of photography have overlooked staged photography, skipping the subject as if it had something to do with a moment of confusion, wild or otherwise, an agreeabl
Aesthetics · Art · Art history · Confusion · Exhibition · Illusion · Photography · Psychoanalysis · Regret · Visual arts · World Wide Web · Computer Science · Engineering · French Historical and Cultural Studies · Historical Studies and Socio-cultural Analysis · Photography and Visual Culture · Psychology
| Highly cited | No |
|---|