Annette Michelson, On the Wings of Hypothesis
Collected Writings on Soviet Cinema
Bibliographic Data
| ID | 3872544 |
|---|---|
| Authors | Klara Kemp-Welch, Klara Kemp‐Welch (0000-0002-7887-6008, corresponding author) |
| Year | 2021 |
| Publication date | 2021-06-08 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.76175 |
| OpenAlex | W3166150369 |
| Language | EN |
Taking its title from her well-known essay on “Montage and the Theory of the Interval” of 1992, this volume brings together four decades’ of critical essays by avant-garde cinema historian Annette Michelson (1922-2018). Ostensibly structured by her classic pairing of Sergei Eisenstein and Dziga Vertov, who, as she wrote, both posited “the making and experiencing of such film as, ultimately, a privileged mode of ontological consciousness itself” (p. 29), the collection is wide-ranging in terms
Aesthetics · Art · Art history · Literature · Movie theater · European history and politics · Italian Fascism and Post-war Society · Soviet and Russian History
| Highly cited | No |
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