María Amalia García, Abstract Crossings
Cultural Exchange between Argentina and Brazil
Bibliographic Data
| ID | 3873218 |
|---|---|
| Authors | Klara Kemp-Welch, Klara Kemp‐Welch (0000-0002-7887-6008, Institut Universitaire de la Côte, corresponding author) |
| Year | 2020 |
| Publication date | 2020-06-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.61776 |
| OpenAlex | W3108129589 |
| Language | ES |
The translation into English of María Amalia García’s history of cultural exchange between Argentina and Brazil, spanning the mid-1940s to the end of the 1950s, offers an invaluable resource for transforming the ways in which post-war abstraction is thought, and, it is to be hoped, how it should now be taught. While Brazilian Neo-Concretism has become a well-known episode and the “Neo-Concretist Manifesto” of 1959, is, today, acknowledged as a canonical text, less has been published internati
Art · Cultural exchange · Ethnology · Garcia · Humanities · Political science · History · International Relations in Latin America · Latin American Cultural Politics
| Highly cited | No |
|---|