Jacques Rancière and Contemporary Art
Swapping Stories of Love and Tyrannicide
Bibliographic Data
| ID | 3873404 |
|---|---|
| Authors | Oscar Davis (0000-0003-2655-2789, Cantonal Museum of Fine Arts, corresponding author), Oliver Davis |
| Year | 2013 |
| Volume | 41 |
| Issue | 41 |
| Publication date | 2013-06-24 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.8295 |
| OpenAlex | W2084527221 |
| Language | FR |
This is neither the place nor the time to say that the love affair between the contemporary art world and philosopher Jacques Rancière is over, even if signs of a certain decrystallization are beginning to appear. The philosopher seems coy, wary: “I get letters all the time from people who are organising biennales which, they say, have been conceived according to my principles, this being the reason I must come. Since I cannot go everywhere I am unable to tell.” “Moreover there is, as is wel
Aesthetics · Art · Art history · Psychoanalysis · Sociology · Artistic and Creative Research · Critical Theory and Political Philosophy · Philosophy · Psychology
| Highly cited | No |
|---|