Masterpiece and Mass Product
The Original and the Copy in Ancient Egypt
Bibliographic Data
| ID | 3896701 |
|---|---|
| Authors | Dietrich Wildung (corresponding author) |
| Year | 1998 |
| Volume | 46 |
| Issue | 183 |
| Pages | 1-5 |
| Publication date | 1998-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Diogenes (JOURNAL) |
| Journal identifiers | ISSN: 0392-1921 • E-ISSN: 1467-7695 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1177/039219219804618302 |
| OpenAlex | W2005113577 |
| Language | EN |
| Citations received | 9 |
| References cited | 1 |
Spanning the course of three millennia, the art of ancient Egypt stands out for its unique continuity. The fundamental rules of Pharaonic art were established around 3000 bc. The proportions of the human body, the style of cubist representation in relief and painting, the division of a tomb or temple wall into strips, and the adaptation of diverse forms into simple hieroglyphic images remained the principle elements of Egyptian art until the Imperial Roman era
Ancient history · Art · Art history · Painting · Visual arts · Ancient Egypt and Archaeology · History · Psychology
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| Unique citing works | 9 |
|---|---|
| Citations per year | 0,31 |
| Citation span | 1997 - 2013 (17) |
| Citation velocity | historical |
| Highly cited | No |