Claiming History
Colonialism, Ethnography, and the Novel
Datos Bibliográficos
| ID | 3910488 |
|---|---|
| Autores | Christine Loflin, Eleni Coundouriotis (0000-0003-1695-8427) |
| Año | 2000 |
| Volumen | 33 |
| Número | 1 |
| Páginas | 204 |
| Fecha de publicación | 2000-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The International Journal of African Historical Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0361-7882 • E-ISSN: 2326-3016 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/220309 |
| OpenAlex | W596958290 |
| Idioma | EN |
| Citas recibidas | 21 |
Although postcolonial studies has explored the historical influences and connections among literatures throughout the world, it has considered African writing unique. By looking at African novels-written in both French and English-of the colonial and postcolonial periods, Claiming History places African literature in its proper context within this field. Eleni Coundouriotis shows how historical narration not only answers back to Europe's colonialist legacy, but also serves as a complex form of dissent among Africans themselves.Exploring subjects such as human sacrifice as portrayed in the historical novels of Ren Maran, Chinua Achebe, Paul Hazoum , Yambo Ouolguem, and Ben Okri, Coundouriotis argues that these authors are part of a tradition of dissent, shattering the myth of national unity. Rather than focusing on resistance to Europe-the outsider-these works reflect a variety of voices among Africans. Through their historical narratives, African novelists seek to break down and re-create their communities. Novels such as Things Fall Apart and The Famine Road have traditionally been read as ethnographies, authentically depicting the everyday life of Africans. But the emphasis on authenticity decontextualizes these books and neglects the ways they grapple with history. Since literature of dissent resists any single or absolute authority, it is in both colonialist and ultranationalist interests to silence it. By exploring the dialogue between literature and history, this book gives voice to African novelists' defiance of colonialism and nationalist ideology, and adds significantly to our understanding of a body of work that has long been ignored or misunderstood
Archaeology · Colonialism · Ethnography · Sociology · Anthropology · History · Postcolonial and Cultural Literary Studies
Voicing Silence
Narratives of Modernity
Postcolonialism and the Historical Novel
Yambo Ouologuem’s Le Devoir de Violence in the context of end-less post-colonialism
Leni Riefenstahl's Encounter With the Nuba
Representation and terror in V.Y. Mudimbe
Nation, History, and the Idea of Cultural Origin in Melville Herskovits
Things of Poverty and War
Les Écrivains contre l'ethnologie ? Ethnographie, ethnologie et littérature d'Afrique et des Antilles, 1921-1948
The Space of Dictatorship
Gendered Self-Fashioning
Allegories and Counter-Allegories of the World-System in Chinua Achebe's Arrow of God
Place, Position, and Postcolonial Haunting in Assia Djebar's La femme sans s pulture
Romance, Diaspora, and Black Atlantic Literature
Northern Crossings
Gender, Sexuality and Community
The Postcolonial Unconscious
Liberation theory
The Eurocentric Marx and Engels and other related myths
Karl Marx, Eurocentrism, and the 1857 Revolt in British India
Introduction
| Obras citantes distintas | 21 |
|---|---|
| Citas por año | 0,84 |
| Intervalo de citas | 2001 - 2023 (23) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |