The Wild Bull and the Sacred Forest
Form, Meaning, and Change in Senegambian Initiation Masks
Bibliographic Data
| ID | 3913537 |
|---|---|
| Authors | Monni Adams (corresponding author), Peter Mark (0000-0003-1812-2148) |
| Year | 1993 |
| Volume | 26 |
| Issue | 2 |
| Pages | 407 |
| Publication date | 1993-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The International Journal of African Historical Studies (JOURNAL) |
| Journal identifiers | ISSN: 0361-7882 • E-ISSN: 2326-3016 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/219561 |
| OpenAlex | W2313539559 |
| Language | EN |
| Citations received | 3 |
Foreword List of illustrations Acknowledgements 1. Introduction: method and subject 2. Ethnographic background 3. Bukut initiation 4. History and provenance of the Ejumba mask 5. Iconography of the horned mask 6. Mandinka or Jola? Art and culture as regional processes 7. Islam and Casamance masking traditions 8. Conclusion Appendix Bibliography
Art · Epistemology · Meaning (existential · African history and culture studies · History · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,3 |
| Citation span | 2016 - 2020 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |