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Reading the Sun

Bibliographic Data

ID3914169
AuthorsJeremy Elliott (0000-0002-8009-5374, Abilene Christian University, corresponding author)
Year2024
Volume16
Issue1
Pages201-210
Publication date2024-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnvironmental Humanities (JOURNAL)
Journal identifiersISSN: 2201-1919 • E-ISSN: 2201-1919
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/22011919-10943161
OpenAlexW4393216507
LanguageEN
Citations received1
References cited5

T he bluff on the north bank of the Concho River in Paint Rock, Texas, is home to around a thousand Indigenous paintings, ranging from around two thousand to two hundred years old.Many people passed through here-Comanche, Apache, Jumano.A Coahuilteco friend says the paintings were made by "ancestors," which is probably the best answer as to who left them here.While the meanings of some of the paintings are lost to the living, this isn't universally so.(Moreover, the insistence on the part of some scholars that Indigenous rock art cannot be read is baffling-when was the last time you heard someone make a similar claim about the stained glass of roughly contemporaneous medieval European churches?In both cases, the religious traditions and peoples that produced these works are alive and well.)I want to discuss a painting at the east end of the bluff.The interpretation I will offer of it is a collaboration with two Indigenous scholars: Matilde Torres and Mary Weahkee. 1 The painting is maybe one thousand years old and shows a woman that's just given birth to twins, her head to the west, feet to the east.Her hairstyle suggests that she's unmarried.There's a medicine man praying for her as she labors, smoking a pipe, lifting the prayers upward, but her dark face tells us that she didn't make it.There's afterbirth between her feet, stretching down and to the east, and a twin 1. Matilde Torres is an Otomi Indigenous Mexican cosmologist and environmental advocate.Mary Weahkee is Comanche/Santa Clara Pueblo and an archaeologist and lithic analysist.For a 3D rendering of the painting, see Jeremy Elliott, "Birth Scene No Blend," Sketchfab

Linguistics · Reading (process · History · Philosophy

  • Toward decolonizing rock art research

    L Sundstrom, Emily Van Alst•World Archaeology•2026

  • Narrative Discourse

    Gérard Genette•Narrative Discourse•1980

  • Pueblo Indian religion

    Elsie Worthington Clews Parsons•Pueblo Indian religion•1996

  • Course in General Linguistics

    Ferdinand Desaussure•Course in General Linguistics•2013

  • Comanches and Germans on the Texas Frontier

    William S Kiser•Ethnohistory•2018

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae