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I Heard the Old Fellas Play

Bibliographic Data

ID3914228
AuthorsRobin Ryan (0000-0001-9960-6923, Australian National University), Yuin-Monaro Elder Ossie Cruse (University of Wollongong)
Year2025
Volume17
Issue1
Pages203-218
Publication date2025-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEnvironmental Humanities (JOURNAL)
Journal identifiersISSN: 2201-1919 • E-ISSN: 2201-1919
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/22011919-11543447
OpenAlexW4409013903
LanguageEN
References cited10

The practice of gumleaf playing bridges art and activism as a whimsical musical thread in Australia's national imagination. This article pursues a gumleaf sound-culture system that embraces environmental, physical, and musical qualities remote from mainstream music. In scoping meanings and modalities for gumleaf sounds within the Indigenous Koori lifeworlds of New South Wales, this collaborative reflection features the voice of senior custodian of the tradition Yuin-Monaro Elder Uncle Ossie Cruse (b. 1933). The coauthors' ecocritical stance portrays a fringe musical tradition at the intersection between colonial domination and environmental degradation. They base a phenomenology of gumleaf sounds around Uncle Ossie's memories, lived experiences, performativity, and approaches to preserving Indigenous sonic space in environmental, political, pedagogical, and spiritual settings. Uncle Ossie's soundmark enhances his endorsements of environmental and social justice. A commissioned curation of an early twentieth-century gumleaf band at Eden's 2022 Giiyong Festival underscored a decolonial turn in Australian music as it reconnected gumleaf sounds to community and country. The gumleaf is an explicitly green instrument that subtly references the universal threat of bioextinction. Its sounds implicitly undergird the environmental thematic, pointing us back to ways of "playing the land" instead of destroying it

Ancient history · Political science · History · Theatre and Performance Studies

  • Acoustemology

    Open Access•Steven Feld•Keywords in Sound•2015

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    Pierre Bourdieu•The field of cultural production•1993

  • Popular music and society

    Brian Longhurst•Popular music and society•1995

  • Sounding Sustainable; or, The Challenge of Sustainability

    Aaron S Allen•Cultural Sustainabilities•2019

  • Exhibiting Music in a Sound Community

    Jeff Todd Titon, Jeff Todd Tıton•Ethnologies•2017

  • Student Engagement and Environmental Awareness

    Open Access•Nancy G Barrón, Sibylle Gruber et al.•Environmental Humanities•2022

  • The Diatonic Button Accordion in Ethnic Context

    Mark F Dewitt•Popular Music & Society•2003

  • Handbook for Acoustic Ecology

    Barry Truax•Leonardo•1980

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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