Images of Pollution and the Pollution of Images
Bibliographic Data
| ID | 3914246 |
|---|---|
| Authors | Kyveli Mavrokordopoulou (Vrije Universiteit Amsterdam, corresponding author) |
| Year | 2025 |
| Volume | 17 |
| Issue | 1 |
| Pages | 107-128 |
| Publication date | 2025-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Environmental Humanities (JOURNAL) |
| Journal identifiers | ISSN: 2201-1919 • E-ISSN: 2201-1919 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/22011919-11543431 |
| OpenAlex | W4409013914 |
| Language | EN |
| References cited | 17 |
The photographic image has been a loyal companion to environmental movements far and wide, yet a closer look at the contemporaneous appearance of photography and industrialism complicates that dependence. This article examines contemporary artistic representations of postindustrial landscapes through their entanglement with the history and materiality of photography. Drawing on elemental media theory as well as the history of science, it traces two key moments in the history of photography through two material components: bitumen and uranium. By suggesting the visual and the material as integrated concepts, the article probes a double materiality-that of the landscape and its deterioration as a result of chemical production or mining, and that of the image itself. The analysis is anchored in concrete sites where photographic materialities are made and unmade: Canada's Athabasca tar sands region, through Warren Cariou's photographic series Petrographs (2014-); the former uranium mining territories of Gessenwiese and Kanigsberg, as seen in Susanne Kriemann's long-term project P(ech) B(lende) (2014-19); and a chemically contaminated lake that served as a wastewater deposit for a film factory, as depicted in Alexandra Navratil's video Silbersee (2015). These projects question photography's geochemical origins and its attendant labor and exhaustion, and they come to serve a renewed aesthetics in contemporary postindustrial landscape imagery that grapples with the medium's own contradictions
Biology · Environmental pollution · Environmental protection · Environmental Science · Geographies of human-animal interactions · Ecology · Pollution
A Geology of Media
Bad Environmentalism
Environmental Crises and the Metabolic Rift in World-Historical Perspective
A Billion Black Anthropocenes or None
The Visual Politics of Environmental Justice
An Eternal Esthetics of Laborious Gestures
Exposed
Finite Media
Nature's Nation
Photography and Work
Time, Work-Discipline, and Industrial Capitalism
Images and Imagination in 20th-Century Environmentalism
| Citation velocity | historical |
|---|---|
| Highly cited | No |