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The significant few. Miniature pottery from the Sanctuary of Zeus at Olympia

Bibliographic Data

ID3918760
AuthorsSigne Barfoed (0000-0002-5482-2806, University of Kent, corresponding author)
Year2015
Volume47
Issue1
Pages170-188
Publication date2015-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWorld Archaeology (JOURNAL)
Journal identifiersISSN: 0043-8243 • E-ISSN: 1470-1375
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00438243.2014.992077
OpenAlexW1986983469
LanguageEN
Citations received7
References cited26

Miniature pottery is omnipresent in the ancient Greek world, especially in sanctuaries, from the Prehistoric to the Hellenistic period. This article will present and discuss a significant absence of miniature pottery in one of the best-known sanctuaries in Greece, the Sanctuary of Zeus at Olympia during the Archaic period. The reasons behind this scarcity are at one level clearly related to the pan-Hellenic character of the sanctuary. However, by comparing the assemblages at Olympia with other sanctuaries, largely in the Peloponnese, it becomes clear that the roles of miniature pottery may be quite complex. This absence in at least some pan-Hellenic contexts, in combination with the kinds of shapes that are most common in particular assemblages, suggests that miniature pottery has significance that goes beyond the ‘votive’, as traditionally construed by Classical archaeologists, to include commemorative and possibly ritual roles

Aesthetics · Ancient Greek · Ancient history · Archaeology · Archaic period · Art · Hellenistic Period · JAR · Period (music · Pottery · Prehistory · ZEUS (particle detector · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Classical Antiquity Studies · Classics · Engineering · History

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Unique citing works7
Citations per year0,88
Citation span2018 - 2025 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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