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The Prunay workshop

Technical examination of La Tène bichrome painted pottery from Champagne

Bibliographic Data

ID3918978
AuthorsRigby, V Rigby (British Museum), Andrew Middleton (0000-0001-9433-0884, British Museum), A P Middleton, Ian C Freestone (0000-0002-8223-4649, British Museum)
Year1989
Volume21
Issue1
Pages1-16
Publication date1989-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWorld Archaeology (JOURNAL)
Journal identifiersISSN: 0043-8243 • E-ISSN: 1470-1375
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00438243.1989.9980087
OpenAlexW2010708966
LanguageEN
Citations received3
References cited5

A small group of La Tène I/II painted pottery from Champagne has been examined in thin section, with the scanning electron microscope and by X‐ray diffraction in order to determine the production technology. The results have allowed the recognition of a group of vessels so closely related in respect of their typology, fabric, forming and firing technology and decorative techniques that they were probably the products of a single centre ‐ the so‐called 'Prunay workshop'. This workshop represented a departure from the established pottery‐making traditions of the region and was characterised by the skilful applications of new techniques, including standardisation of pastes, wheel‐throwing and 'negative' painting. It marks the beginning of a new and innovative pottery‐making tradition

Ancient history · Archaeology · Art · Painting · Pottery · Section (typography · Typology · Visual arts · Computer Science · History

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Unique citing works3
Citations per year0,1
Citation span1995 - 2024 (30)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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