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Painted origins

Inscribed landscape histories in the Fortaleza pictograph style during the Andean, late pre-Hispanic period

Bibliographic Data

ID3919387
AuthorsGordon Ambrosino (0000-0001-9654-0121, Los Angeles County Museum of Art, corresponding author)
Year2018
Volume50
Issue5
Pages804-819
Publication date2018-10-20
Open AccessNo
TypeARTICLE
VenueWorld Archaeology (JOURNAL)
Journal identifiersISSN: 0043-8243 • E-ISSN: 1470-1375
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00438243.2019.1612272
OpenAlexW2954448709
LanguageEN
Citations received1
References cited18

The headwaters of the Fortaleza River, Ancash, Peru are an understudied area, archaeologically. Seventeenth-century Spanish Colonial accounts from the region describe a general moiety distinction between highland pastoralist and agricultural communities and mention named corporate ancestral descent groups (ayllu). Pierre Duviols' analysis of these accounts identified that these moieties were actually mixed, bi-ethnic communities that originated around A.D. 1350. To test these observations and analysis, this study focuses on a large complex of rock art from the region referred to as Fortaleza pictograph style and which is defined by large panels that are found in association with water springs, tombs and agricultural fields. Regional survey and excavation results are paired with these accounts and Duviols' analysis to place in time when ayllus deployed rock art to construct location-based histories and in doing so, controlled resources, primarily water and heritage in a time characterized by social strife and unreliable resources

Archaeology · Art · Ethnic group · Ethnology · Excavation · Geography · Mesoamerica · Period (music · Rock art · Sociology · Style (visual arts · Anthropology · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Latin American history and culture

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Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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