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Neoliberalism and the Construction of the Creative Subject

Bibliographic Data

ID3920334
AuthorsLeonardo Roman Ultramari (0000-0003-2132-5608, Universidade Federal do Rio Grande), Luciano Da Costa Nazario (0000-0003-4435-6693, Universidade Federal do Rio Grande), Benjamin Dias Pacce (0000-0002-2980-9044, Universidade Federal do Rio Grande), Eduardo Teixeira Martins (0000-0002-2761-1763, Universidade Federal do Rio Grande)
Year2022
Volume34
Publication date2022-01-01
Open AccessYes
TypeARTICLE
VenuePsicologia & Sociedade (JOURNAL)
Journal identifiersISSN: 0102-7182 • E-ISSN: 1807-0310
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/1807-0310/2022v34250709en
OpenAlexW4313154130
LanguageEN
References cited16

This article aims to problematize the position of the "creative subject" category in contemporary times, as well as its relations with the standards established by market practices. Two media discourses were analyzed, one uttered in the Saia Justa (GNT) TV show and the other in a commercial from the Shark Tank (ABC) TV show, both of them focused on creativity and entrepreneurship in the context of the COVID-19 pandemic. The analysis methodology was based on the French approach of Discourse Analysis. The results show a creative subject built from a neoliberal mechanism that (a) discursively silences the inequality-universality contradiction; (b) assigns value to creativity (and to the creative subject) based on the market logic (expenditure and competition); and (c) through the process of interpellation, induces the subject to identify him/herself with this neoliberal Other and regulate his/her creative volitions based on it

Context (archaeology) · Contradiction · Creative class · Creative industries · Creativity · Epistemology · Neoliberalism (international relations) · Political science · Social science · Sociology · Subject (documents) · Computer Science · Creativity in Education and Neuroscience · History · Law · Philosophy

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Highly citedNo

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