The Subjectivation and Political Emancipation Processes in Jacques Rancière

Bibliographic Data

ID3920575
AuthorsAngela Cristina Salgueiro Marques (0000-0002-2253-0374, Universidade Federal de Minas Gerais), Marco Aurelio Maximo Prado (0000-0002-3207-7542, Universidade Federal de Minas Gerais)
Year2022
Volume34
Publication date2022-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePsicologia & Sociedade (JOURNAL)
Journal identifiersISSN: 0102-7182 • E-ISSN: 1807-0310
PublisherFapUNIFESP (SciELO) (PUBLISHER)
DOI10.1590/1807-0310/2022v34265750-en
OpenAlexW4396598062
SCIELO_PIDS0102-71822022000100248
LanguageEN
Citations received2
References cited7

This article aims to reflect on the concept of subjectivation in Jacques Rancière, highlighting how he thinks about the production of disidentified political subjects, who appear in the polemic scene through non-hierarchical relationships and articulations. We argue that the disruptive power of politics in Jacques Rancière is not in the affirmation of the self, but in the rearticulation between elements, which generates disidentifications and gives rise to the emergence of interval identities. The process of subjectivation configures a sensitive polemic scene in which ways of being, seeing and saying are invented, contesting the way in which the sharing of the world is made and distributed hierarchically, unequally, violating the dignity and recognition of the value of every form of life. Subjectivation promotes varied arrangements and operations, which destabilize and dismantle rationalities that maintain legibility, audibility and visuality. It makes subjects appear in the midst of conflicts and negotiations for justice

Aesthetics · Emancipation · Epistemology · Political science · Politics · Psychoanalysis · Sociology · Artistic and Creative Research · Critical Theory and Philosophy · Critical Theory and Political Philosophy · Law · Philosophy · Psychology

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