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The Epiphany of Demosthenes

Bibliographic Data

ID3937968
AuthorsWilliam J Slater (corresponding author)
Year1988
Volume42
Issue2
Pages126
Publication date1988-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePhoenix (JOURNAL)
Journal identifiersISSN: 0031-8299 • E-ISSN: 1929-4883
PublisherJSTOR (PUBLISHER)
DOI10.2307/1088229
OpenAlexW2326978799
LanguageEN
Citations received6

observation. In particular it seems to me that the repetition of ,4i finally the real stage hero Aeschines is denounced for his incompetent performance on the real stage of life. The soteriology of the dramatic self-presentation is contrasted with Aeschines' efforts at heroic appearance on the stage; the stage of life is contrasted with the theatre; the allegedly comic Demosthenes triumphs over the ineptly heroic Aeschines. Throughout runs the motif of heroic epiphany. While it is true that gaxvLeaUcX and its congeners are termini technici for the appearance of gods from Homer onwards,2 the word is in general use for any appearance. What marks it out here is its context, its repetition, and its

Aesthetics · Art · Epiphany · Literature · Classical Antiquity Studies

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    Open Access•Giorgio Camassa•Mythos•2020

  • Aristophanes and the Cult of the Saviour

    Open Access•Bruno Currie•Mythos•2020

  • Making the Audience

    Open Access•Andreas Serafim•The Classical Quarterly•2015

  • Demosthenes 21 ( Against Meidias )

    Open Access•P J Wilson•Proceedings of the Cambridge…•1992

  • Self-Praise and Envy

    Dimos Spatharas•Arethusa•2011

Unique citing works6
Citations per year0,18
Citation span1992 - 2022 (31)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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