Myth, Meaning and Memory on Roman Sarcophagi
Bibliographic Data
| ID | 3938595 |
|---|---|
| Authors | Joann Freed (0009-0003-5351-6473), Michael Koortbojian |
| Year | 1996 |
| Volume | 50 |
| Issue | 3/4 |
| Pages | 362 |
| Publication date | 1996-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Phoenix (JOURNAL) |
| Journal identifiers | ISSN: 0031-8299 • E-ISSN: 1929-4883 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1192671 |
| OpenAlex | W4298654449 |
| Language | EN |
| Citations received | 20 |
Art · Epistemology · Literature · Meaning (existential) · Mythology · Archaeology and Historical Studies · Classical Antiquity Studies · History · Philosophy
(Re-)imagining encounters between Late Antique viewers and Early Christian art
La función de las imágenes en la reflexión filosófica de Cicerón
Paratheatrical Performances in the Bosporan Kingdom
The Northward Advance of Greek Horizons
The Phanagoria Chous
Epilogue
Theatre and Performance in the Bosporan Kingdom
Black Sea Back Story
The Tragedians of Heraclea and Comedians of Sinope
Theatre at Olbia in the Black Sea
Celebrating Dionysus in Istros and Tomis
Fragmentary Greek Tragedies Set in the Black Sea
Historiography and Theatre
Introduction
Ancient Theatre in Tauric Chersonesus
Initiation into the Mysteries of the Ancient World
Representing Women on Roman Sarcophagi
Remembering Rome
Ancient Theatre and Performance Culture Around the Black Sea
The Embodied Object
| Citations per year | 0.83 |
|---|---|
| Citation span | 2002 - 2019 (18) |
| Highly cited | No |