Not the Classical Ideal
Athens and the Construction of the Other in Greek Art
Bibliographic Data
| ID | 3939164 |
|---|---|
| Authors | Gerald P Schaus (corresponding author) |
| Year | 2002 |
| Volume | 56 |
| Issue | 3/4 |
| Pages | 383 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Not the Classical Ideal: Athens and the Construction of the Other in Greek Art, Beth Cohen, 2000 |
| Venue | Phoenix (JOURNAL) |
| Journal identifiers | ISSN: 0031-8299 • E-ISSN: 1929-4883 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1192617 |
| OpenAlex | W2012033158 |
| Language | EN |
A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal others characterized Ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides an investigation into the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examine manifestations of the other in late archaic and classical Greece. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class and ethnicity and also reveal the social and political functions of this remarkable Greek imagery
Ancient Greek · Art · Epistemology · Greek art · Ideal (ethics · Classical Antiquity Studies · Classics · Mathematics · Philosophy
Seleucid-Parthian Figurines From Babylon in the Nippur Collection
Keith Robert DeVries (1937-2006)
Curses!
Love and Curses
Constructing the Narrative
The Dwelling of the Spirit
A Catalogue and Summary of Published Questions by Individuals and Responses from the Dodona Oracle
Conclusion
Curses and Risk
Individuals and Oracles
Theory and Method
Business as Usual?
From the Outside Looking in
Exploring Uncertainty
Urban Drama
The Romans Abroad
Conclusion
Oracles and Daily Life
The Best Defence
A Lapse into Unreason
Myth
Animals
Economy
Comparison
Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity
Polytheism
Space
Sacrifice
Signs
How to be a good symposiast and other lessons from Xenophon's Symposium
Socrates and Self-Knowledge
Os espaços geográficos marítimos de Atenas ao Mar Negro
Precarious Lives, Unstable Identities
Inter imperium sine fine
The Archaeology of Greek and Roman Troy
The Psychology of the Athenian Hoplite
Klaudios Peisōn Anethēken
La imagen de Busiris y Memnón en las fuentes clásicas
Gendered adornment and dress soundscape in Etruscan dance
Sculpted Symposiasts of Ionia
Redefining Gender in Sword and Sandal
Obesity, Corpulence and Emaciation in Roman Art
Lame Hephaistos
The Classical Farmstead Revisited. Activity Differentiation based on a Ceramic Use-Typology
Hittites and Arzawans
Gender and the Performance of Death Rituals in Classical Athens 480–332 BCE
Sexy Beast
Scale, space and canon in ancient literary culture
Sex and the Second-Best City
Rationalization as a Moral Tool
Frogs around the Pond? Cultural Diversity in the Ancient World and the New Millennium
What's in a hump? Re-examining the hunchback in the Villa-Albani-Torlonia
Apology for the Manuscript of Demosthenes 59.67
Control of Costume in Three Plays of Aristophanes
Dionysos Comes to Thrace
Dionysos in Classical Athens
Prostitutes, Plonk, and Play
The Body and its Representations in Aristophanes' Thesmophoriazousai
Athenian Eye Cups in Context
The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE
Phryne of Thespiae
Historiography at the End of the Republic
Fables and Frames
Making Sense of Nonsense Inscriptions Associated with Amazons and Scythians on Athenian Vases
Art and the archaeologist
Who "Invented" Comedy? The Ancient Candidates for the Origins of Comedy and the Visual Evidence
Oracles, Curses, and Risk Among the Ancient Greeks
Why did Athenian pots appeal to the Etruscans
Subversive Laughter
Reinventing the Barbarian
| Highly cited | No |
|---|