Contemporary Feminist Theatres
To Each Her Own
Datos Bibliográficos
| ID | 3945798 |
|---|---|
| Autores | Sue Smith (0000-0002-3152-2149), Lizbeth Goodman (0000-0003-2714-746X, University College Dublin) |
| Año | 1994 |
| Número | 47 |
| Páginas | 120 |
| Fecha de publicación | 1994-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Feminist Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0141-7789 • E-ISSN: 1466-4380 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/1395269 |
| OpenAlex | W2106744249 |
| Idioma | EN |
| Citas recibidas | 10 |
Feminism · Human sexuality · Sociology · Anthropology · Cultural Studies · Gender Studies · Theatre and Performance Studies
Is Queen Christina a Woman
Constitutive Subjectivities
Performative identities
Teaching Feminist Theatres
The Personal is Political”—Gender in the Context of Apartheid South Africa
Making games for social change
The immaterial presence of women in contemporary Greek theatre
The everyday experience of xenophobia
Drammaturghe italiane degli anni'50
Multiple Commitments and Ethical Dilemmas in Performed Ethnography
| Obras citantes distintas | 10 |
|---|---|
| Citas por año | 0,31 |
| Intervalo de citas | 1994 - 2010 (17) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |