Exorcizing the Past
The Slave Narrative as Historical Fantasy
Bibliographic Data
| ID | 3945934 |
|---|---|
| Authors | Sarah Wood (0000-0003-3237-3963, corresponding author) |
| Year | 2007 |
| Volume | 85 |
| Issue | 1 |
| Pages | 83-96 |
| Publication date | 2007-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Feminist Review (JOURNAL) |
| Journal identifiers | ISSN: 0141-7789 • E-ISSN: 1466-4380 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1057/palgrave.fr.9400320 |
| OpenAlex | W1993196483 |
| Language | EN |
| Citations received | 3 |
| References cited | 20 |
Octavia Butler's 1979 novel Kindred is a hybrid text: part historical novel, part science fiction/fantasy and part slave narrative. The story transports a contemporary black heroine into 19th-century Maryland in order to explore, recreate and connect with African American narratives of identity. Providing two narrative strands, one in 19th-century Maryland and the other in 20th-century California, the text is able to juxtapose the realities of slavery with its legacy. Conflating these time-periods, Kindred aims to interrogate the marginalization of African American history, but specifically the role black women played in that history, in America's bicentennial year. While Butler adapts what has been regarded as the quintessential African American literary mode of the slave narrative, her fiction consciously draws upon a literary heritage that foregrounds narratives written by black women. Consequently, Kindred highlights the issues and concerns that directly affect the construction of black femininity and its role in the community of slaves as well as examining the historical pressure brought to bear on the configuration of contemporary African American womanhood. In doing so, Butler's fiction articulates the right of black women to intervene in their own construction and to inscribe the existence of black women in stories of originary identity. What this article seeks to explore is how Butler's fiction develops and extends the traditional slave narrative, how this is utilized in order to interrogate the 'realities' of both slavery and contemporary US society, and how effective the text is in challenging stereotypical representation of white and black femininity
Aesthetics · Art · Fantasy · Femininity · Identity (music) · Literature · Narrative · Narrative history · Political science · Politics · Representation · Representation (politics) · Sociology · White (mutation · Gender Studies · Gothic Literature and Media Analysis · History · Law · Utopian, Dystopian, and Speculative Fiction
From behind the veil
Narrative of the Life of Frederick Douglass, an American Slave
Remaking America
Reconstructing Womanhood
Self-Discovery and Authority in Afro-American Narrative
Black Feminist Theory and the Representation of the “Other”
Incidents in the Life of a Slave Girl
Horror and beauty in rare combination’
Written by Herself
Written by Herself
Incidents in the Life of a Slave Girl Written by Herself
The Slave Narrative
Low Intensity Conflict
The Historical Black Presence in the Struggle for Peace
Reflections on the Black Woman's Role in the Community of Slaves
Homage to Tradition
Written by Herself
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,27 |
| Citation span | 2015 - 2018 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |